From Neo-Classicism to Romanticism

Neo-Classicism, Age of Reason, Enlightenment
(1660s–1770s)
Romanticism
(1770s–1830s)
head heart
reason feeling, passion, imagination
humans as social beings (products of social order) humans as natural beings (products of Nature)
respect for authority questioning of authority, identification with and love of Nature
symmetry, balance, harmony diagonals, dynamic motion
stability challenge to status quo
hierarchy democracy
universality individualism, egocentrism
conformity, representative truths eccentricity, idiosyncrasy
tradition originality
decorum rebellion against form
measure and proportion intensity, excess
clarity, simplicity mysticism, ornateness
restraint, self-restraint indulgence of feeling
public, daytime orientation private, night orientation; joys of solitude
rational sense to universe: patterns, laws, meaning mysterious universe: hidden, dark forces, the supernatural
mechanistic world organic world
present world exotic and medieval subjects
real world yearning for the infinite and the ideal
sensibility as moral force
sense of the sublime
melancholy musings
importance of childhood and the past
impossibility of happy love
Noble Savage
Byronic hero
Gothic world: morbid, forbidden impulses, animality, illicit forces
René Decartes, French philosopher. “Cogito ergo sum.” (“I think: therefore I am.”) Discourse of Method (1637). Jean-Jacques Rousseau, French writer. “Exister, pour nous, c’est sentir: et notre sensibilité est incontestablement antérieure à notre raison.” (“For us, existence is feeling: and our capacity to feel inarguably precedes our reason.”) Moral Letters.

Copyright © 1997 by Bozenna Goscilo. All rights reserved.